Overview
Kelly Presutti is Assistant Professor of History of Art and Visual Studies, where she teaches courses in modern Western art and the environmental humanities. Research interests include nineteenth-century art and visual culture, landscape, and ecocriticism. Her first book, (2024), looks to four landscape typologies—forests, mountains, wetlands and coasts—as sites of negotiation and contestation between state power, local inhabitants, and the environment. A new project studies the art and object collections of the French navy, attending especially to stories of failure, weakness, and defeat to illuminate the surprising role disaster played in the formation of an imperial maritime identity.
Prior to completing her PhD, Presutti held positions at the Getty, the Musée d’Orsay, and the Peggy Guggenheim Collection, among other arts organizations. Her work has been supported by Harvard's Center for European Studies, Dumbarton Oaks, a Bourse Chateaubriand from the French Embassy, and fellowships at the Huntington Library, the Yale Center for British Art, and the National Maritime Museum (Greenwich, UK).
Publications
Book:
(Yale University Press, 2024).
Select Articles and Book Chapters:
The Art Bulletin 107, no. 3 (2025), 39-64.
“‘Brutal Magic’: Staging Human-Environmental Relations in the Anthropocene,” 19: Interdisciplinary Studies in the Long Nineteenth Century 38 (2025),
Metropolitan Museum Journal 59 (2024), 58-72.
Grey Room 85 (Fall 2021), 70-99.
Word & Image 37, no. 1 (2021), 21-31.
“Transplanting Visions: Barbizon Artists and Louisiana Landscapes,” in Katie Pfohl, ed. (New Haven: Yale University Press, 2019), 59-83.
In the news
- Objects from famous shipwreck tell deeper stories
- How art helped to shape modern France
- Grant to enhance art history book
- Wondering what to read in 2023? A&S faculty offer ideas
- Conference explores the theme of “Repair” from multiple humanities disciplines
- Community read launches Society for the Humanities’ ‘Repair’ theme
- Watercolor views advanced the British empire
- A fragmented France depicted on dessert plates