麻豆视频

Wondering what to read in 2023? A&S faculty offer ideas

We gathered recommendations from faculty in the 麻豆视频 & 麻豆视频 for the best books and poetry to read in 2023. We hope you will enjoy them!

 

Artist's drawing of woman's face with yellow hair and a fox in front

, Jacob Gould Schurman Professor of German Studies, Department of German Studies

is an extraordinary wordsmith of grit and grace. Forged in the fires of history and imagination, her alchemical poetry transforms the stuff of catastrophe into an alertness to hope despite despair. 鈥淭he chestnuts are about to speak,鈥 we read, in the breath-taking and life-giving collection "Music for the Dead and Resurrected" (2020). For Mort, Belarusian history has long been 鈥渙ne catastrophe after another,鈥 compounded by silences that her exceptionally creative and powerfully arresting poetry helps magically to break. To experience these poems is to discover newly expressive capacities of language altogether.

, associate professor, Department of History of Art and Visual Studies

The title of the poem on a black background

John Ashbery published two versions of 鈥淪elf-Portrait in a Convex Mirror,鈥 a 552-line poem: the in Poetry in 1974, the second a year later in a of the same name. The titular self-portrait is by the Italian painter Parmigianino (1503-40); Ashbery saw it in Vienna in 1959 (鈥渨ith Pierre,鈥 he adds in the later version). The poet describes the painting, the circumstances of its manufacture, and its critical fortunes. At some point (early on), 鈥渢he soul establishes itself鈥 within 鈥渋ts room, our moment of attention.鈥 Hence the poem鈥檚 true subject: the miraculous rapport that art may fashion between the living and the dead; whose latter ranks the poet, with whom we yet converse, joined in 2017.

, Emerson Hinchliff Professor of Hispanic Studies, Department of Comparative Literature

A map of the land next to the Gulf of Mexico all in brown

MacArthur award winner Cristina Rivera Garza is best known as a novelist and as a chronicler of current events in the US-Mexico border region.  Her stunning memoir, "Autobiograf铆a del algod贸n" ("Autobiography of Cotton"), Random House, 2020, a New York Times top book in Spanish from 2020, offers a rearview window onto the ecological and biographic complexities of transborder lives, both human and plant, in the Tamaulipas/Texas region.  She travels through space and into family archives, tracing her history through miners and cotton farmers in the rough scrabble desertlands of Arid America, until she finds herself, powerfully, standing under trees in Houston that her grandfather planted before his deportation in the early 20th century.

, assistant professor, Department of Romance Studies

Multi-colored abstract image around the title of the book

Coral Bracho鈥檚 book of poems, "It Must be a Misunderstanding," poignantly captures the experience of witnessing a loved one become consumed by dementia. Written in memory of the poet鈥檚 mother, the collection is structured by the progression of her Alzheimer鈥檚 disease. And what better way to capture Alzheimer鈥檚, a disease characterized by memory loss and the loss of language control, than through poetry? Bracho draws on poetry鈥檚 ability to unmoor language from narrative logic and instead channel sound and sensation to render a moving account of her mother鈥檚 decline. Brought into English translation by Forrest Gander, this recent book by Bracho, a renowned Mexican poet, will be of interest to anyone with elderly family members. 

, professor, Department of Literatures in English:

Somewhat browned and folded paper with strange markings on it, book cover

I recommend a dazzling poem by called 鈥淐oloratura on a Darkness Chosen from a Gamut of Stygian Events,鈥 from her recent collection "Coloratura on a Silence Found in Many Expressive Systems" (Norton 2022).  As these titles suggest, the book vocalizes virtuosically on themes that might seem resistant to brightness, color, even sound itself.  It鈥檚 informed by several traumatic events in Fulton鈥檚 life, including the death of her mother and a severe injury that immobilized her for many months.  The poem I鈥檝e singled out is a funny, mordant, bracing meditation on various forms of darkness, a condition Fulton became intimately acquainted with during the long nights of her convalescence.  

, assistant professor, Department of History of Art and Visual Studies: 

An impressionistic drawing of a bird diving into water

I recommend Ada Lim贸n, "The Hurting Kind," 2022. As someone who has spent years learning to read quickly, skimming and skipping along, I struggle with poetry, which demands slow attention. This is, of course, its advantage, as the title of the poetry podcast "The Slowdown," hosted by Ada Lim贸n, suggests. I heard Lim贸n鈥攏ow the U.S. Poet Laureate鈥攔ead at Cornell in September of 2021. Her radiating charisma, lyrical voice, and sharp insight made me an instant fan. In "The Hurting Kind," Lim贸n finds herself repeatedly in the world, through the delights of a backyard groundhog or the 鈥渕ore yellow鈥 of a forsythia, offering a quietly powerful model for the kind of environmental entanglement everyone seems to be looking for these days.

, associate professor, Department of Classics:

THe words of the title on rectangular yellow cards connected by a multi-colored string

My top recommendation is Tom McCarthy鈥檚 2021 novel "The Making of Incarnation," whose characters are all engaged in the science of motion studies for industry and cinema. At the heart of the novel鈥檚 mystery are the real-life 鈥渃yclegraphs鈥 created by Lillian Gilbreth, an early industrial psychologist, who pioneered a technique for tracking the hand movements of the most efficient factory workers in order to create tools for optimizing other workers鈥 movements. The book brings together humanities and STEM viewpoints on the world while focusing on the questions of bodily labor engaged by industrial motion studies. 

, associate professor, Department of Science & Technology Studies; interim director, Milstein Program in Technology & Humanity

Title of the book against a red background with a thick black border

I do not read a lot of poetry. But sometimes a collection finds and really captures me. Solmaz Sharif鈥檚 "Customs" (2022) is one of those. In "Customs," Sharif explores the everyday struggles of belonging within and without America. 鈥淚t is very / private / to be in another鈥檚 / syntax,鈥 she writes, a sentiment that many, immigrant or not, will find familiar. A U.S. border officer may hold you at his own discretion, but Sharif holds him, too: 鈥漰uffy, / pink, ringed in plexi, pleased / with his own wit / and spittle.鈥 There鈥檚 something beautifully analytical about Sharif鈥檚 work鈥攁nalytical in a way I wish more scholarship could be.

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