Karen Pinkus

Professor Emerita

Overview

As an undergraduate student at Cornell, Karen was a College Scholar and wrote a thesis on Renaissance Labyrinths under the direction of Professor Timothy Murray. She began a Ph.D. program in Renaissance Studies and later moved to Comparative Literature. Her Ph.D. thesis, supported in part by a Fulbright/ITT Fellowship in Bologna, was a critical reading of early modern emblems. Karen taught at Northwestern University and the University of Southern California before coming to Cornell, where she was a committed member of Romance Studies and Comparative Literature as well as a field member in Studio Art and Media Studies. She served two terms as editor of diacritics. She held various fellowships including a Getty Grant in Art History, a Senior Professorship at Rice University and a Leverhulme Fellowship at Cambridge. She continues to work in Italian, French and other literatures/cultures; and in Environmental Humanities (with a focus on climate change). She is also a playwright, novelist and critic.

Recent publications include:

Subsurface, 2023 []. Moving between critical theory, geology and narratives of the nineteenth century ("after" coal but "before" oil), this book asks how we think we know the subsurface of the Earth, how we represent it to ourselves, the kinds of laws that we develop to govern it, and so on. There is, of course, an enormous difference between oil (mysterious, liquid, pumped up by technological means) and coal (taken out by humans from "empty" caverns, more closely tied in our imaginations to dirt, labor and industrial history). The central aim of this book, then, is to think the subsurface beyond simple mastery (we can control it) or renunciation (we cannot do anything there); beyond the extremes of exploitation (what we do down there has no effect up here so all activities are fair game) and conservation (leave it alone). Pinkus asks if narratives of the nineteenth century, put in conversation with speculative modes, can open up toward a different relation to what lies "down there."

On the Italian side, a 2020 book from the University of Minnesota Press explores issues around labor, automation and repetition in Italian art, literature, design and film of the 60s. In part, this work thinks with cinema questions of what it means to work for wages, automation and sexual difference. The book was translated into Italian (by ROMS Ph.D. Gianluca Pulsoni) as A fine turno. Lavoro, macchine e vita nel cinema degli anni ’60 in Italia.

Pinkus's influential 2016 book , thinks about issues crucial to climate change by arguing for a separation of fuel (perhaps understood as potentiality, or dynamis, to use the Aristotelian term) from energy as a system of power (actuality, use). Fuel follows a series of literary, filmic and critical texts through the form of a dictionary (from “air” to “zyklon D”). Fuel engages with literature, art, and critical theory as they are central to analogy and in turn, to fuel itself. is a link to a review of the book by Imre Szeman in the Los Angeles Review of Books. This book has been translated into Italian for OmbreCorte (by Riccardo Donati and Caterina Ragghianti) as .

Selected Shorter Writings

(2022) “Materialità e ambivalenza: Arte Povera, Una geneologia alchemica,” in Pensiero in immagine. Forme, metodi, oggetti teorici per un Italian Visual Thought, collana Quaderni della ricerca (Università Iuav di Venezia-Mimesis), editors, Angela Mengoni and Francesco Zucconi.
(2021), “Four Theses for the Coming Deserts,” with Hans Baumann. In The Invention of the American Desert, eds. Lyle Massey and James Nisbet. Berkeley: University of California Press.
(2020) “138,462 Carbon Pyramids,” co-written with Hans Baumann. Strelka Magazine. 14.08, “The Revenge of the Real”
(2020) “Reflections on a Winter Scene,” Collateral Journal, invited contribution for Collisions Series (Belgium)
(2018) "They Would have Ended by Burning Their Own Globe." Commissioned afterward to Ecological Form: System and Aesthetics in the Age of Empire, edited by Nathan Hensley and Philip Steer. Fordham University Press
(2018) "," Images of Accumulation essay, co-written with artist Hans Baumann. E-flux journal. This essay is related to an art installation that Karen made with Baumann on the Cornell campus as part of the 2018 Cornell Biennial of Art.

Publications

Books

Subsurface (University of Minnesota Press, 2023)
Clocking Out: The Machinery of Life in 60s Italian Cinema (University of Minnesota Press, 2020)
Fuel: A Speculative Dictionary. (University of Minnesota Press, 2016); Carburanti. Un dizionario per un pianeta in crisi, translated by Riccardo Donati and Caterina Ragghianti (Verona: Ombrecorte, 2021)
Alchemical Mercury: A Theory of Ambivalence (Stanford University Press, 2009)
The Montesi Scandal: The Death of Wilma Montesi and the Birth of the Paparazzi in Fellini’s Rome (University of Chicago Press, 2003)
Picturing Silence: Emblem, Language, Counter-Reformation Materiality (University of Michigan Press, 1996)
Bodily Regimes: Italian Advertising Under Fascism (University of Minnesota Press, 1995)

Translations

Translation and edition of Francesco Adinolfi, Mondo Exotica: Sounds, Visions and Obsessions of the Cocktail Generation (Duke University Press, 2008)
Renato Barilli, A Course in Aesthetics (University of Minnesota Press, 1993)
Giorgio Agamben, Language and Death, with Michael Hardt (University of Minnesota Press, 1991)

Selected Shorter Writings

(2022) “Materialità e ambivalenza: Arte Povera, Una geneologia alchemica,” in Pensiero in immagine. Forme, metodi, oggetti teorici per un Italian Visual Thought, collana Quaderni della ricerca (Università Iuav di Venezia-Mimesis), editors, Angela Mengoni and Francesco Zucconi.
(2021), “Four Theses for the Coming Deserts,” with Hans Baumann. In The Invention of the American Desert, eds. Lyle Massey and James Nisbet. Berkeley: University of California Press.
(2020) “,” co-written with Hans Baumann. Strelka Magazine. 14.08, “The Revenge of the Real”
(2020) “Reflections on a Winter Scene,” Collateral Journal, invited contribution for Collisions Series (Belgium)
(2018) "They Would have Ended by Burning Their Own Globe." Commissioned afterward to Ecological Form: System and Aesthetics in the Age of Empire, edited by Nathan Hensley and Philip Steer. Fordham University Press
(2018) "," Images of Accumulation essay, co-written with artist Hans Baumann. E-flux journal
(2016) “Intermittent Grids,” South Atlantic Quarterly special issue on Autonomia and Anthropocene, edited by Bruce Braun and Sara Nelson
(2016) “Air,” (excerpt from Fuel) in Dominick Boyer and Imre Szeman, eds. The Energy Humanities Reader. Baltimore: Johns Hopkins University Press, 2016.
(2016) “Humans and Fuels, ��í�ǲ�&�Բ��;and ��ō��,” chapter in A Cultural History of Climate Change, eds. Tom Ford and Tom Bristow. London: Routledge (environmental humanities series)
(2014), “Le missive precarie di Alighiero Boetti,” volume on precariousness edited by Monica Jansen and Silvia Contarini. Verona: OmbreCorte
(2014) “Search for a Language: Response to Ian Baucom,” invited respondent to essay by Ian Baucom, “Postcolonial Method and Anthropocene Time,” in Cambridge Journal of Postcolonial Literary Studies, eds. Debjani Ganguly, Ato Quayson, Neil ten Kortenaar
(2014), “Silent Running: Notes for The Remake,” special issue of Yearbook of Comparative Literature, edited by Paul North and Eyal Peretz on “Ideas of Nature.”
(2014) “Risk,” essay for Fueling Culture: Politics, History, Energy, Ed. Imre Szeman, et. al. forthcoming from Fordham University Press
(2013)“Thinking Diverse Futures from a Carbon Present,” Symploke vol. 21, nos. 1-2 (special issue on Critical Climate)
(2012) “Hybrid Futures from a Carbon Present,” Symploke vol. 21, no. 1 (special issue on Critical Climate–forthcoming)
(2012) “Ambiguity, Ambience, Ambivalence, and the Environment,” Common Knowledge 19:1 (December) (Symposium: Fuzzy Studies, Part 4), pp. 88-95.
(2012) “Nature (of Betrayal),” New Centennial Review 12.1 special issue on Betrayal, editors Richard Block and Michael du Plessis
(2012) “Selling Gasoline in Autarchic Italy,” in Figura umana. Normkonzepte der Menschendarstellung in der italienischen Kunst 1919-1939. Eckhard Leuschner, ed. Petersberg: Michael Imhof Verlag: 151-160
(2012) “Dematerialization from Arte Povera to Cybermoney through Italian Thought,” diacritics, vol. 39.3 (2009), 65-77
(2011) “Antonioni, Cinematic Poet of Climate Change,” in Antonioni, Centenary Essays, edited by John David Rhodes and Laura Rascaroli. London: Palgrave MacMillan, 2011
(2011) in Criticism, Crisis, and Contemporary Narrative. Textual Horizons in an Age of Global Risk, editor Paul Crosthwaite. London: Routledge, 2011, pp. 62-80
(2010) “Sustainability: a Dialogue with Images,” with Cameron Tonkinwise, World Picture Journal (December)
(2010) “Carbon Management: A Gift of Time?” Oxford Literary Review 32 (July), 51-70.
(2010) “At the End: Cinema After Climate Change” (Udine Permanent Film Studies Conference Proceedings)
(2010) “The Rome of Pasolini’s Petrolio,” with Paolo Matteucci, Annali d’talianistica (special double issue on Rome)
(2008) “Nothing From Nothing: Alchemy and the Economic Crisis,” World Picture Journal (November)
(2008) “On Cars, Climate and Literary Theory,” Technology and Culture (October)

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Karen Pinkus

Professor Emerita

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