Overview
Christine Bacareza Balance is Associate Professor of Performing & Media Arts and Asian American Studies. Her writings on former Philippine First Lady Imelda Marcos, Asian American YouTube artists, Bruno Mars, Glee’s karaoke aesthetics, and spree killer Andrew Cunanan have been published in Women and Performance: a feminist journal, Journal of Asian American Studies (JAAS), Women's Studies Quarterly (WSQ), and Theatre Journal. Her first book, (Duke University Press, 2016), examines how the performance and reception of post-World War II Filipino/Filipino American popular music compose Filipino identities, publics, and politics. It received the Best First Book award from the Filipino Studies caucus of the Association for Asian American Studies (AAAS). Her current book project, Making Sense of Martial Law, analyzes how the former President Ferdinand Marcos and First Lady Imelda Marcos employed the sensorial and sensational, during their 21-year dictatorial rule, and how U.S.- and Philippines-based performances, events, and cultural objects critique the “Marcosian imaginary,” modeling new forms of cultural memory. With Prof. Lucy San Pablo Burns (UCLA), she is co-editor of the artist-scholar anthology, (University of Hawai’i Press, 2020).
In 2017, she was awarded a UC Humanities Research Institute (UCHRI) Engaged Humanities grant for a multi-site, multi-program public partnership with Visual Communications (VC), a Los Angeles-based Asian American media arts organization, to digitally preserve archival materials and present public programs that document the history of Philippine martial law and its impact upon Los Angeles-based communities. In 2014, she was commissioned by the Music Center, Los Angeles to collaborate with on "The Songs We Carry," a traveling interactive pop-up exhibit of songs and stories of migration.
Balance’s research has been supported by the Consortium for Faculty Diversity (CFD), UC President’s Postdoctoral Fellowship Program (UCPPFP), and the Ford Foundation Postdoctoral Program. During the 2014-2015 academic year, she was a . From 2003-2006, she previously served as a Research Consultant for the Ford Foundation’s Arts & Culture Program, an Events Associate in NYU’s Asian/Pacific American Studies Program, and Editorial Assistant to writer Jessica Hagedorn on the literary anthology (Penguin, 2004).
She is a board member of , a platform showcasing Filipino & Filipino American work in film and the performing arts; an advisory board member for the and for the think tank. Balance is one-eighth of the New York-based indie rock band .
Awards and Honors
, Cornell University (2023)
Best First Book Award, Filipino/Filipino American Studies section of Association for Asian American Studies (AAAS) (2018)
, Cornell University (2014-2015)
Postdoctoral Fellow, Ford Foundation Fellowship (2012-2013)
Publications
Books
(Duke University Press, April 2016)
, co-edited with Lucy San Pablo Burns (University of Hawai’i Press, October 2020)
Articles
&Բ;𱹾پԲ Apocalypse Now: Hollywood in a Time & Place of Philippine Martial Law.” PELIKULA: a journal of Philippine cinema and moving image (Vol. 7, December 2022), 4-13
“Keynote Duet: Christine Bacareza Balance & Alexandra Vazquez.” (Spring 2022), 1-12
Contributor, Martial Law Now, as Then," edited by Neferti X. Tadiar. Social Text (149). (Duke University Press, December 2021)
Social Text (121). “Being-With: a special issue on the work of José Esteban Muñoz.” (Duke University Press, Winter 2014)
BOOM: a journal of California Studies. 3.2 (Berkeley: University of California Press, Summer 2013), 72-81
Special issue “Viral” for WSQ: Women’s Studies Quarterly. 40.1 & 40.2 (New York: The Feminist Press, Spring/Summer 2012), 138-152
Special issue, “Shattered Ceilings”for Women & Performance: a Journal of Feminist Theory. 20.2 (London: Routledge Press, July 2010), 119- 140.
Special issue on “Violence” for Journal of Asian American Studies. Min Hyoung Song, ed. 11.1 (Johns Hopkins University Press, March 2008), 87-106
Women and Performance: a journal of feminist theory (16.2; London: Routledge Press, July 2006), 269-282
“ Journal of Popular Music Studies. 23.4 (Hoboken, NJ: Wiley-Blackwell Press, December 2011), 491-496
In the news
- Asian American studies celebrates new endowment funding
- Project chronicles experiences of alums of Asian descent
- Undergrads relish challenging Nexus Scholar projects
- Global Public Voices fellows to speak out on democratic threats
- Asian American Studies celebrates 35th anniversary
- Martial law anniversary marked by ‘historical revisionism’
- Filipino Performance Culture
- New impact grants expand humanities research
- Webinar explores issues for Southeast Asian refugee communities in U.S.
- Ignoring anti-Asian crimes furthers white supremacist violence
- New series connects students, community with artists and scholars
- ‘Racism in America’ webinar to examine protest movements
- New series connects students, community with artists and scholars
- Astronomers find evidence for a rapid evolution of galaxies in the early universe
- Anthology explores Asian American California through art
- Asian American communities strengthen ties while apart
