Overview
My research explores comparative intersections between Sinophone, Latin American, and European cultural productions in dialogue with theories of interculturality, sexuality, and mediality. My first book, Beyond Sinology: Chinese Writing and the Scripts of Cultures (Columbia University Press, 2014), analyzes how the Chinese script has been imagined in recent decades in literature and film, visual and performance art, design and architecture, both within Chinese cultural contexts and in different parts of the West. I am the co-editor (with Carlos Rojas) of the Oxford Handbook of Modern Chinese Literatures (2016) and have published articles in Comparative Literature, Comparative Literature Studies, Concentric, German Quarterly, Modern Chinese Literature and Culture, Taller de Letras as well as in several edited volumes. My second book, The Mark of Theory: Inscriptive Figures, Poststructuralist Prehistories (forthcoming from Fordham University Press in 2017) provides a genealogy of the concept of inscription that probes the media imaginaries of poststructuralist theory. I am currently working on two projects: the first, Against Comparison? Latin America and the Sinophone World, reflects on the limits of comparison through an exploration of the rich history of cultural contact, exchange, and affinity between Latin American and Chinese cultures from the late nineteenth century to today; the second, Membranicity, constitutes a critique of the deployment of surface metaphors in contemporary theory.
Research Focus
Theory broadly defined, though always understood in its cultural specificity:
Theories of cultural and ethnic difference, interculturality, theories of cultural comparison and transculturality
Critical genealogies of theoretical movements
Media studies with a special interest in visuality and textuality, questions of corporeality and embodiment, and the links between media (and media studies) and politics
Theories of gender and sexuality, transcultural queer theory
Comparative Literary and Cultural Studies with a focus on contemporary and modern transcultural, diasporic, and minor literary and medial expressions:
Sinophone cultures: Mainland China and its regional and ethnic differences, Taiwan and Indigenous Taiwanese cultures, Chinese Malaysia, Hong Kong, diasporic Sinophone writing in Europe and the Americas
Latin American cultures (in Spanish and Portuguese)
Major European cultures and their (post)colonial legacies (England, France, Germany, Spain, Italy and Portugal) and minor European cultures (Catalonia)
Publications
Books
The Mark of Theory: Inscriptive Figures, Poststructuralist Prehistories (forthcoming from Fordham University Press 2017).
Beyond Sinology: Chinese Writing and the Scripts of Culture (New York: Columbia University Press, 2014).
Edited Volumes and Special Issues
The Oxford Handbook of Modern Chinese Literatures, co-edited with Carlos Rojas. Oxford: Oxford University Press, 2016.
Between Asia and Latin America: New Transpacific Perspectives, Special Issue of Verge: Studies in Global Asias (University of Minnesota Press), co-edited with Pedro Erber (forthcoming 2017).
Journal Articles
Editors Introduction: Remapping the Transpacific: Critical Approaches between Asia and Latin America (with Pedro Erber) (forthcoming in Verge: Global Asias, 2017).
Nexus, (forthcoming in Verge: Global Asias, 2017) (part of the collective article Fieldtrip: Between Asia and Latin AmericaA Critical Renga).
Violent Media, Chinese Fantasies: Salvador Elizondos Execution by Shooting in China,(forthcoming in Verge: Global Asias, 2017).
Hymenologics: Membrane Politics and the (Un)Making of Difference (article for a special issue of Theory@Buffalo on Difference: Cultural/Sexual/Universal, forthcoming 2017).
Cannibal Translations: Culture and Alterity in Early Modern China and Latin America (forthcoming in Journal for Early Modern Studies, 2017, special issue on China edited by David Porter).
Cultural Margins, Hybrid Scripts: Bigraphism and Translation in Taiwanese Indigenous Writing, Journal of World Literature 1 (2016): 226-244; special issue on Scriptworlds and World Literature.
Theses on the Translation of (Chinese) Architecture. Verge: Global Asias 2: 1 (Spring 2016): 106-140; special issue on Asian Urbanisms.
What Original? Origin Stories, Script Teratologies, and Leibnizs Hexagrammatology. Comparative Literature. Special issue: Original Languages. 65: 1 (Winter 2013): 26-35.
Graphic Germs: Mediality, Virulence, Chinese Writing. Modern Chinese Literature and Culture 23: 1 (Spring 2011): 197-225.
The Remains of History: Gao Xingjians Soul Mountain and Wuhes The Remains of Life. Concentric: Literary and Cultural Studies 37: 1 (March 2011): 99-122.
La corrosin del sentido: Quebrada de Guadalupe Santa Cruz (The Corrosion of Sense: Quebrada by Guadalupe Santa Cruz). Taller de Letras 47 (November 2010): 69-88.
Chinese Intextuations of the World. Comparative Literature Studies 47: 3 (2010): 318-345.
Thomas Hettches Wound Ethics. The German Quarterly 82: 2 (Spring 2009): 212-230.
Cinema as Heterochronos: Temporal Folds in the Work of Tsai Ming-liang. Modern Chinese Literature and Culture 19: 1 (Spring 2007): 60-90.
New Spaces for Literature: Can Xue and Hlne Cixous on Writing. Comparative Literature Studies 42: 3 (2005): 155-182.
Anagrams in Psychoanalysis: Retroping Concepts by Sigmund Freud, Jacques Lacan, and Jean-Fran?ois Lyotard. Comparative Literature Studies 40: 1 (2003): 1-25. (Winner of the 2002 Owen A. Aldridge Prize).
Book Chapters
Globally Queer? Taiwanese Homotextualities in Translationin Queer in Translation. Ed. B.J. Epstein and Robert Gillett. London and New York: Routledge, 2017. 77-86.
Chinese Literatures in Conjunction. The Oxford Handbook of Modern Chinese Literatures. Ed. Andrea Bachner and Carlos Rojas. Oxford: Oxford University Press, 2016. 866-80.
The Secrets of Language: Chen Lis Sinographic Anagrams. The Oxford Handbook of Modern Chinese. Ed. Andrea Bachner and Carlos Rojas. Oxford: Oxford University Press, 2016. 112-30.
Between the Visual and the Sonic: Rewriting Rilkes Urger?usch. Un/translatables. Ed. Bethany Wiggins and Catriona MacLeod. Evanston: Northwestern University Press, 2016. 229-39.
Concretely Global? Visual Poetry against Translation. Globalizing Literary Genres: Literature, History, Modernity. Ed. Jernej Habjan and Fabienne Imlinger. London and New York: Routledge, 2016. 155-168.
1899: Oracle Bones, that Dangerous Supplement (forthcoming in A New Literary History of Modern China, edited by David Wang, Harvard University Press, March 2017).
1986: The Writer and the Mad(wo)man. (forthcoming in A New Literary History of Modern China, edited by David Wang, Harvard University Press, March 2017).
Queer Affiliations: Mak Yan Yans Butterfly as Sinophone Romance. Queering Sinophone Studies. Ed. Ari Larissa Heinrich and Howard Chiang. London and New York: Routledge, 2013. 201-220.
Found in Translation: Gao Xingjians Multi-Medial Sinophone. Sinophone Studies: A Critical Reader. Ed. Brian Bernards, Shih Shu-mei, and Tsai Chien-hsin. New York: Columbia University Press, 2012. 364-374.
Reinventing Chinese Writing: Zhang Guixings Sinographic Translations. Globalizing Modern Chinese Literature: Critical Essays on Sinophone and Diasporic Writings. Ed. Jing Tsu and David Wang. Leiden and Boston: BRILL, 2010. 177-195.
De/signar: Grafas paradjicas en la obra de Diamela Eltit (De/signar: Graphic Paradoxes in the Work of Diamela Eltit). Diamela Eltit: Redes locales, redes globales. Ed. Rub Carre?o. Madrid and Frankfurt/Main: Iberoamericana and Vervuert, 2009. 273-281.
Re/coiling Inscription: Incisive Moments in Diamela Eltit and Jacques Derrida. Democracy in Latin America: The Legacy of September 11, 1973. Ed. Silvia Nagy-Zekmi and Fernando Leiva. Brighton, Portland: Sussex University Press, 2005. 202-213.
Translations
Translation of Salvador Elizondo, Execution by Shooting in China (Fusilamiento en China), forthcoming in Verge: Global Asias 3:2 (2017) (Spanish to English).
Translation of Mei Chia-ling, Voice and the Quest for Modernity in Chinese Literature The Oxford Handbook of Modern Chinese Literatures. Ed. Andrea Bachner and Carlos Rojas. Oxford: Oxford University Press, 2016. 149-171. (Chinese to English).
Translation of Chen Pingyuan, The Story of Literary History. The Oxford Handbook of Modern Chinese Literatures. Ed. Andrea Bachner and Carlos Rojas. Oxford: Oxford University Press, 2016. 92-111. (Chinese to English).
Translation of Ji Jin, Modern Chinese Literature and Literature in Translation The Oxford Handbook of Modern Chinese Literatures. Ed. Andrea Bachner and Carlos Rojas. Oxford: Oxford University Press, 2016. 521-30. (Chinese to English).
Translations of ݮ (Strawberry Fields) by Liao Weitang, ɽȡ (Valley of Music) by Song Lin, ˼ (An Ancient Lovesong) by Xi Murong, and ն (Solo on a Sunday) by Yi Lei, Chinese to German, for Time Shadows: Music Goethe-Institute Washington, the Martin Luther King, Jr. Memorial Library, and the Chinatown Community Cultural Center in Washington, DC, February 23, 2012. .
Translations of Danza del alacrn (Scorpion Dance), Serpiente de vidrio (Glass Serpent), and Autorretrato de la mujer invisible (Self-Portrait of the Invisible Woman) by Julia Piera, Spanish to English. The Poetry Ireland Review. 91 (2007): 62-64.
Translation of [ (Onion) by Yesi (Leung Ping-kwan), Chinese to Spanish. ABC Cultural Supplement, Spain. 752 (July 1st, 2006): 20.
Reviews, Shorter Pieces, and Interviews
Review of Young China by Mingwei Song for Canadian Review of Comparative Literature.
Review of Homesickness by Carlos Rojas for Frontiers of Literary Studies in China; Chinese translation by Li Juan forthcoming in Xuewen.
Interview with Carla Nappi on Beyond Sinology for New Books in East Asian Studies,
Interview with Ilon Huang on Beyond Sinology for the weekend magazine of Radio Taiwan International, August 2, 9, and 16, 2014 (in German).
Review of A Common Strangeness by Jacob Edmond. CLEAR 53 (2013): 240-242.
Review of Lin Shu, Inc. by Michael Hill. Chinese Literature Today 3: 1/2 (2013): 168-170.
Review of Perfect Worlds: Utopian Fiction in China and the West by Douwe Fokkema. The Comparatist 37 (May 2013): 319-321.
Review of Sound and Script in Chinese Diaspora by Jing Tsu, MCLC Resource Center. , Summer 2011.
Review of Ideographic Modernism by Christopher Bush, MCLC Resource Center. , Spring 2011.
Review of Sinographies. Ed. Eric Hayot, Haun Saussy, and Steven Yao. China Review International. 16: 3 (2009): 341-344.
ϵyFdﱭS\䡴~ew㑿̡ (Corporeal Inscription in Zhang Guixings Simian Cup and Ng Kim-chews Fish Bones). Trans. Tsai Chien-hsin. SinChew Daily, Literary Supplement, August 27, 2006.
