Andrew Hicks, assistant professor of music and medieval studies, has been awarded a prestigious Berlin Prize from the American Academy in Berlin. Hicks is one of 21 scholars, writers and artists awarded Berlin Prizes for 2017-18. Academy president Michael P. Steinberg called them 鈥渁 particularly stunning class of fellows.鈥
The highly competitive Berlin Prize is awarded annually to scholars, writers, composers, and artists from the United States who represent the highest standards of excellence in their fields. Fellows receive a monthly stipend, partial board, and accommodations at the Academy鈥檚 lakeside Hans Arnhold Center in Berlin-Wannsee.
The Berlin Prize provides recipients with the time and resources to step back from their daily obligations to work on academic and artistic projects they might not otherwise pursue. The fellows are encouraged to work with local individuals and institutions in the Academy鈥檚 well- established network, forging rich connections and lasting transatlantic relationships. During their stay, fellows engage audiences through public lectures, performances, and readings, which take place at the Academy but also throughout Berlin and Germany.
While in residence at the Hans Arnhold Center in Spring 2018, Hicks will be working toward the completion of his second monograph, tentatively titled 鈥淭he Broken Harp: Musical Metaphor in Classical Persian Literature.鈥 Hicks describes the project as a richly textured media archaeology of the real and imagined soundscapes of medieval Persian poetry, documenting and detailing the role of the auditory within the poetic imagination. The book will 鈥渞eframe the history of medieval Persian musical culture through a focus on the technical vocabulary, poetic imagery, artistic visualizations, and philosophical metaphors of music and musical experiences in medieval Persian literary traditions.鈥
Hicks鈥 research focuses on the intellectual history of early musical thought from a cross-disciplinary perspective that embraces philosophical, cosmological, scientific and grammatical discourse in Late Antiquity and the Middle Ages, and spans the linguistic and cultural spheres of Latin, Greek, Persian, and Arabic. He is the author of 鈥淐omposing the World: Harmony in the Medieval Platonic Cosmos鈥 (Oxford University Press, 2017), and he collaborated with Fr. 脡douard Jeauneau on an edition of John Scottus Eriugena鈥檚 鈥淐ommentary and Homily on the Gospel of John鈥 (CCCM 166, Brepols 2008). They also have a forthcoming first edition of William of Conches鈥 Glosulae super Priscianum (Brepols).
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